Sixties City presents a wide-ranging series of articles on all aspects of the Sixties, penned by the creator of the iconic 60s music paper  Mersey Beat

Adam Diment

Adam Diment British spy movies continued to be popular throughout the Sixties with James Bond, Harry Palmer and even David Niven (who’d appeared as Sir James Bond in ‘Casino Royale’) as Jason Love in ‘Where The Spies Are.’ Writer Adam Diment suddenly found himself in the spotlight in 1968 when he decided to create a spy more in keeping with the mood of the permissive Sixties.

His hero, Philip McAlpine, made his debut in ‘The Dolly Dolly Spy’, which became a best-seller and brought Diment a great deal of publicity in the national press, which took interest in a new, young secret agent who smoked pot.
The Daily Mirror commented: "The most modern hero in years. He’s hip, he’s hard, he likes birds and, sometimes, marijuana.”

The Sunday Mirror wrote: “Philip McAlpine, the latest Instant Hero of Fiction. He is the contemporary Bond. McAlpine is a Secret Service agent, too. He also has an obsessive interest in sex. But about there they part company.”

McAlpine was the hero of four books and ‘The Dolly Dolly Spy’ was followed the same year by the publication in March of ‘The Great Spy Race’ and in September of ‘The Bang Bang Birds.’
Young, blonde-haired Diment seemed the ideal successful Sixties man. Atticus in the Sunday Times wrote: “Adam Diment is 23; his hero, Philip McAlpine, is based on himself. That is to say he’s tall, good-looking, with a taste for fast cars, planes, girls and pot. One of the most interesting characters in the book (‘The Dolly Dolly Spy’) is his loathsome British Secret Service chief, Quine, who talks camp and calls McAlpine ‘luv.’ “Quine,” says Diment, “is God. A sort of non-caring vicious God. He’s the Establishment rolled into one. He’s all authority.”

Writing in the New York Times in November, 1967, Anthony Boucher commented, “Adam Diment, who is only 23, is a happy answer to my recent plaint about the lack of really young writers in the suspense field. ‘The Dolly Dolly Spy’ introduces Philip McAlpine, an agent who smokes hashish, leads a highly active sex life, kills vividly, uses (or even coins) the latest London slang and still seems a perfectly real (and even oddly likeable) young man rather than a reflected Bond image. His first effort as a double agent, kidnapping a monster of the Waffen S.S. is slow in starting, but well plotted and brightly coloured.

Adam Diment

Several critics suggested that he was the successor to Ian Fleming. In a review of John Le Carre’s ‘A Small Town In Germany,’ Richard Boston wrote:

"The short step from Bulldog Drummond to Ian Fleming's James Bond consisted in giving the hero a sex life. Adam Diment - who, with three books published at the age of 24, looks set fair as Fleming's successor - has once more brought the hero up to date by making him less snobbish and more promiscuous than Bond. Furthermore, he smokes pot (Sherlock Holmes took cocaine)." Yet despite critical acclaim and best-selling books, after his fourth McAlpine adventure ‘Think Inc’ in 1971, nothing else has been heard of him.

Mersey Beat Magazine Bill Harry attended the Liverpool College of Art with Stuart Sutcliffe and John Lennon and made the arrangements for Brian Epstein to visit The Cavern, where he saw The Beatles for the first time. Bill was a member of 'The Dissenters' and the founder and editor of 'Mersey Beat', the iconic weekly music newspaper that documented the early Sixties music scene in the Liverpool area and is possibly best known for being the first periodical to feature a local band called 'The Beatles'. He has worked as a high powered publicist, doing PR for acts such as Suzi Quatro, Free, The Arrows and Hot Chocolate and has managed press campaigns for record labels such as CBS, EMI, Polydor. Bill is the critically acclaimed author of a large number of books about The Beatles and the 60s era including 'The Beatles Who's Who', 'The Best Years of the Beatles' and the Fab Four's 'Encyclopedia' series. He has appeared on 'Good Morning America' and has received a Gold Award from the British Academy of Songwriters, Composers and Authors.

Article Text Bill Harry               Original Graphics SixtiesCity     Other individual owner copyrights may apply to Photographic Images

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