Sixties City presents a wide-ranging series of articles on all aspects of the Sixties, penned by the creator of the iconic 60s music paper  Mersey Beat

The Remo Four

The Remo Four
A Mersey group who first formed as a vocal outfit, the Remo Quartet, in 1958 and played at social clubs and weddings. They changed to rock‘n’roll music at the beginning of 1960 and were nicknamed ‘Liverpool’s Fendermen’ because they were the first group on Merseyside to have a complete line-up of Fender guitars. They appeared on a number of Cavern bills with The Beatles, changing their name to 'The Remo Four' when they appeared with The Beatles on Saturday 5th August 1960.

Paul McCartney used to say that on his nights off he’d visit the Cavern specially to see The Remo Four. The group comprised Keith Stokes (rhythm/vocals), Colin Manley, who was rated as Liverpool’s top rock‘n’roll guitarist and was the first to play a Fender (lead), Don Andrews (bass) and Harry Prytherch (drums).

In December 1962 they became Johnny Sandon & The Remo Four in order to embark on a tour of US bases in France, when Roy Dyke replaced Prytherch and Johnny Sandon joined them. They made several further appearances on Beatles Cavern bills under the name Johnny Sandon & The Remo Four.

The group performed some original numbers, including an instrumental ‘The Rat Race’ and a number sung by Sandon, ‘Spanish Main’. Their single ‘Yes’, flipside ‘Magic Potion’, was issued by Pye Records on 27th August 1963, but Johnny left on 18th December, after two years, to go solo.

The Remo Four turned down the offer of becoming Billy J. Kramer’s backing band but seemed fated to be cast in the role of a support group and accepted the offer of backing Tommy Quickly. The group thought that they were on the brink of success when they teamed up with Quickly. They were now managed by Brian Epstein and were included on the Beatles Christmas show at the Finsbury Park Astoria and also joined The Beatles on their autumn tour of Britain in 1964.

They were excited when The Beatles provided them with ‘No Reply’ to record and felt that it would be the single to take them and Tommy to the top of the charts. The Remo Four recorded the backing track, then double-tracked the guitars and added extra percussion, with Paul McCartney joining them on tambourine and John Lennon clinking Coke bottles in the background. Unfortunately, Quickly was slightly drunk and very nervous at the session and the single was never released.

The group then began to back a variety of singers including Georgie Fame, Billy Fury and Billy J. Kramer (when they called themselves the New Dakotas). By this time Tony Ashton had joined the group. The personnel of the band comprised Manley, Ashton, Dyke and Phil Rogers in 1968, when George Harrison used them on the recording of the ‘Wonderwall’ album. A number they recorded during the ‘Wonderwall’ sessions was ‘In the First Place’ and it was finally issued as a CD single in 1999.

Bass guitarist Kim Gardner (who had appeared with The Birds, Ronnie Woods' first band 63-66)) teamed up with Roy Dyke and Tony Ashton in the trio 'Ashton, Gardner & Dyke' and they were later to have a chart hit in 1971 with ‘Resurrection Shuffle’.
The Remo Four

The Remo Four
George Harrison was to play guitar on the ‘I’m Your Spiritual Breadman’ track on their album, ‘The Worst Of Ashton, Gardner & Dyke’. When the group broke up, Colin began to back singers such as Engelbert Humperdinck, Clodagh Rodgers and Freddie Starr, before becoming a member of the Swinging Blue Jeans. He died of cancer in April 1999.

Johnny Sandon hung himself at Christmas 1997. Roy Dyke joined Badger while Tony Ashton joined Paice, Ashton and Lord.
Tony died of cancer on 28th May 2001 and Kim Gardner died of cancer in Los Angeles on 24th October 2001. Harry Prytherch, who left the band to get married and settle down to a regular job and was replaced by Roy Dyke, then played with another local band Group One.

Harry has lectured on the Mersey Sound for a number of years and has one of the largest collections of Mersey Sound memorabilia. Don Andrews and Keith Stokes still reside on Merseyside and Don was one of the founders of Merseycats, original exponents of the Mersey Sound who perform regularly for local charities.

Mersey Beat Magazine Bill Harry attended the Liverpool College of Art with Stuart Sutcliffe and John Lennon and made the arrangements for Brian Epstein to visit The Cavern, where he saw The Beatles for the first time. Bill was a member of 'The Dissenters' and the founder and editor of 'Mersey Beat', the iconic weekly music newspaper that documented the early Sixties music scene in the Liverpool area and is possibly best known for being the first periodical to feature a local band called 'The Beatles'. He has worked as a high powered publicist, doing PR for acts such as Suzi Quatro, Free, The Arrows and Hot Chocolate and has managed press campaigns for record labels such as CBS, EMI, Polydor. Bill is the critically acclaimed author of a large number of books about The Beatles and the 60s era including 'The Beatles Who's Who', 'The Best Years of the Beatles' and the Fab Four's 'Encyclopedia' series. He has appeared on 'Good Morning America' and has received a Gold Award from the British Academy of Songwriters, Composers and Authors.

Article Text Bill Harry       Original Graphics SixtiesCity      Other individual owner copyrights may apply to Photographic Images

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